Picking up from where he left up on his fucking fantastic 2012 album Overgrown Path, Chris Cohen’s In a Fable is similarly fucking fantastic.
Cohen’s voice is a tuneful sigh that never runs out of breath. He has a twisting, winding, meandering way of structuring his songs that’s instantly recognisable before his never-ending sigh voice even cuts in. In a Fable has all these things too, but with the added bonus of me not having played it incessantly over the last four years.
With the recent Torrey Pine also fucking fantastic, one can only assume that whatever album he’s preparing to drop is also you get the point.